You might remember in my last post I mentioned I was about to start on a commission for a lovely client? Well, I thought this might be the perfect time to share a little of how I go about painting a commissioned work - before I forget all about taking pics along the way.
here she is...a nice (big) blank canvas
My lovely client, H, spoke to me about creating a painting for a large wall in her beautifully renovated Queenslander. If possible, I like to visit the client on-site - that way, I can get a feel for the space, the light, and the bones of the room itself. This painting will make a real statement - at 3m x 1.5m, it's a large piece, and will be on view from the minute you walk in the front door.
We then had a chat about her ideas, what colours she'd like included - and just as importantly, any she definitely
didn't want. She has a great mix of traditional and modern in her home, as she's retained the original charm and character of her Queenslander, but she's also included some clean, modern elements too. To complement the original VJ walls, she chose a traditional, full-blown floral curtain:
..and picked up the olive green from the pattern, using it as an accent wall colour in the central hall, and also for the glass splashback in the kitchen. Elsewhere is a natural white, keeping things nice and airy.
So, after discussing the options, we decided on a modern abstract design, incorporating the raspberry, red/pink and olive green from her curtains, as well as some complimentary tones. Once that was sorted, I sent through a series of mock-ups of my ideas, to make sure we were on the same page, and also to provide a visual of what I'm thinking. I've found this really helps both me and the client - I'm a really visual person, but I realise not everyone works that way. By doing so, it really helps to iron out any misunderstandings before we're too far down the track.
So, that's enough from me - I have painting to do. I'll post more pics once the piece is all signed, sealed and delivered. Can't wait to share the finished painting with you all - and I have to say, it's a lot of fun to be working on such a large scale piece again. Supersizing isn't always a bad thing you know :)